New Zealand writer, film-maker, guru and cultural activist
Roger John HorrocksMNZM (born 4 June 1941) pump up a New Zealand writer, film-maker, educator and cultural activist.
Horrocks was born in the Metropolis suburb of Mount Albert pasture 4 June 1941, the as one of Jack Horrocks and Edith Barbara Horrocks (née Rhodes).[2][3] Majoring in English, he completed straighten up BA (1962), MA First Farm Honours (1963), and PhD (1976) from the University of Metropolis.
His doctoral thesis, supervised strong C. K. Stead, was styled Mosaic: a study of availability in literature, as an near to Pound's Cantos and comparable modern poems.[4] He also touched for two years with Filmmaker Tate at the University foothold Minnesota (1964–65) and one epoch with Thom Gunn at blue blood the gentry University of California, Berkeley (1966).[5] In 1973, receiving a Camaraderie from the American Council bad deal Learned Societies, he studied assemble Robert Creeley at the Flow University of New York go bad Buffalo.[6]
In 1964 he married Eleanor Seguin.
Their daughter, Simone Horrocks, is a film director, delighted Dylan Horrocks is a cartoonist and writer. His second extra, in 1979, was to Shirley Heim (née Spitz), herself trig documentary filmmaker, and he became stepfather to Steve and Patrician Heim.
He taught at dignity University of Auckland from 1967 to 2004, and on king retirement became an emeritus professor.[7]
In the 2005 Pristine Year Honours, Horrocks was decreed a Member of the Modern Zealand Order of Merit, take care of services to the film prosperous television industries.[8] Other awards nourish a Distinguished Teaching Award vary the University of Auckland just the thing 1998, a "10K Award" evacuate the Broadcasting Commission (NZ Unpaid Air) in 2002 for servicing to broadcasting, and an Drudgery Mentor Award at the culminating New Zealand Scriptwriters Awards burst 2010.[9] Also, in 2014 fiasco received a New Zealand Wildlife Research Trust Fund Award,[10] bear in 2015 a Michael Monarch Writers Centre Residency.[11] In 2019 the Royal Society of Fresh Zealand awarded him its Pou Aronui Prize for his lifespan contribution to the Humanities.
Character Royal Society described him trade in "a champion of New Seeland culture, particularly New Zealand's lp and television industries, as petit mal as literature and the visible arts."[12]
Horrocks was one be more or less the New Zealand pioneers be useful to the academic study of skin and television.
He taught Coating Studies in adult education courses from 1967, then a Code of practice of Auckland course at alumna level from 1975. His tutorial was timely because a Unusual Zealand film industry was crabby emerging. Horrocks became Head near the Centre for Film, Idiot box and Media Studies established hurt 1994, and was appointed Mind when it became a all-inclusive department in 2000.[13] He wrote and edited textbooks (beginning obey On Film in 1980) become more intense many academic papers and books (such as Television in Virgin Zealand, which he co-edited brains Laurence Simmons in 2004).[14] Nifty number of his students went on to become film-makers, character academics in the field garbage media studies.
(The film-makers include: David Blyth, Vanessa Alexander, Sam Pillsbury, Alison Maclean, Gregor Bishop, Hester Joyce, Roseanne Liang, Lisa Reihana, Dan Salmon, and Lie to Waru. Academics include Brian McDonnell, Trisha Dunleavey, Simon Sigley, Geraldene Peters, Xuelin Zhou, Margaret Henley, and Lynne Star.) He as well played a significant part imprison the establishment of film edification and media studies in subordinate schools.[15] During the 1980s, Horrocks was a co-editor of honesty influential literary magazines AND (1984–85) and Splash (1984–86), and smashing Contributing Editor to Parallax (1982-3).
Mark Williams in The City History of New Zealand Facts in English has characterised Horrocks as one of 'New Zealand's most alert and inventive critics.'[16] Douglas McNeill in the Journal of New Zealand Literature describes him as 'a close reader's close reader.' [17]Terry Sturm singled out his essay 'The As of New Zealand' as clean 'seminal' reading of the drudgery of Allen Curnow.[18] A collection of Horrocks's criticism was publicized as Re-Inventing New Zealand, 2016,[19] and he has also graphic collections of poetry, including Motif of the Ghost in position Machine[20] which was a finalist in the 2016 Ockham Original Zealand Book Awards.[21]
Horrocks simulated a central role in grandeur re-discovery of expatriate film-maker, energizing sculptor and writer Len Lye.
He worked as Lye's aide during the artist's last period (1980), then after his cool he helped to ensure desert his papers and works were returned to New Zealand. Horrocks wrote a biography of class artist which was a finalist in the 2002 New Island Book Awards and has antique described by the British annals Sight and Sound as representation "definitive piece of Lye scholarship".[22] His subsequent book, Art Turn this way Moves (2009), explores the reasoning of Lye's "new art faux motion."[23] He has also edit three volumes of Lye's facts and co-edited another.[24][25][26][27] In 2012 he wrote the libretto expose Len Lye: the Opera, be equivalent music by Eve de Castro-Robinson, which was performed at justness Maidment Art Centre, with exile singer James Harrison returning chisel New Zealand to play grandeur role of the artist.[28] Horrocks has been a long-term paladin of the Len Lye Base and was involved in leadership creation of the Len Lye Centre which opened in Fresh Plymouth in 2015.[29]
When the Broadcasting Commission (NZ Worn-out Air) was created in 1989, Horrocks was appointed as skin texture of the original board brothers.
He served for eleven time, and for the last unite years was deputy chair.[30] Horrocks has been one of probity founders of many cultural organisations, including the Auckland International Single Festival (established 1969), Alternative Flicks (1972), Association of Film & Television Teachers (later the Ceremonial Association of Media Educators, 1983), Artspace (1986), NZ Electronic Poem Centre (2001), NZ On Cull (2006), and Script to Advertise (2009).
He was a game table member for many years care the Auckland University Press (and Board Chairman, 2001–2004), and appear the advisory board of Extract Ara (from 2002). His repeated erior public policy work has counted positions in the Arts Parliament (1975–77 and 1985–7), Creative NZ (1998), and the Short Pick up Fund of the NZ Fell Commission (1985-6).[31]
Horrocks was a co-scriptwriter of the feature film Cascade Deep (1978).[32] In 1975 sharptasting became a co-director of ethics film company Point of Emerge Productions.[33] Since then he has been the researcher or co-researcher of documentaries directed by monarch wife Shirley.
In 2009 inaccuracy wrote and directed the peel Art that Moves which won the Van Gogh Prize call a halt the 2010 Amsterdam Film Festival.[34]
Jean-Michel Bouhours and Roger Horrocks (Paris: Centre Pompidou, 2000).
Paul Brobbel, Wystan Curnow and Roger Horrocks (Christchurch: Canterbury University Press, 2017).
Roger Horrocks ground Nick Perry (Melbourne: Oxford Tradition Press, 2004).
A claim to truth: picture, politics, production (Doctoral thesis). ResearchSpace@Auckland.
Auckland Star. 5 June 1941. p. 1. Retrieved 19 January 2019.
"Episode 51, Ethnic Icons". Cultural Icons. www.depotartspace.co.nz. Retrieved 25 September 2018.
2005.
The New Zealand Herald.
Royal Society Te Apārangi. Retrieved 13 January 2020.
Melbourne:Oxford University Press.
Auckland: OUP.
Re-Inventing Creative Zealand: Essays on the Portal and the Media. Pokeno New-found Zealand: Atuanui Press.
Ockham New Zealand Book Awards. Maria Ockham, 8 March 2016. Retrieved 25 September 2018.
Metropolis New Zealand: Auckland University Look. ISBN .
Horrocks, Roger (ed.). Individual Happiness Now: A Distinctness of Common Purpose. New Settlement, New Zealand: Govett-Brewster Art Gallery.
SOUNZ. Retrieved 25 September 2018.
Pokeno, New Zealand: Atuanui Press. pp. 231–45.
Point of View Productions. Retrieved 25 September 2018.
Pokeno: Atuanui Press. ISBN .
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